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Category Archives: Rhythm & Blues

There are a few albums going on right now at NPR’s First Listen that are worth mentioning, even if briefly. The first is Hilary Hahn’s impending album, on which she recorded Jennifer Higdon’s excellent new violin concerto, coupled with a new recording of Tchaikovsky’s violin concerto (one of my absolute favorites). The jury is out for me on her interpretation of Tchaikovsky, since my very first impressions take some tempos a bit more liberally that I prefer, but her execution is impeccable, of course.

Another album that will be quickly released comes from the ever-soulful John Legend and The Roots. The album, entitled Wake Up, takes old soul tracks and gives them a bit of a modern spin. I’ve always loved John Legend’s voice while mostly loathing the songs he chooses to record, save room for a couple. The Roots are similar in this regard for me: I’ve wanted to like them for a long time, since Phrenology and a live album of theirs, but I’ve found them to be a bit hard to listen to. But when you take both of these artists together, with the excellent choice of material, you get Wake Up, which is wonderful collaboration, exactly what I want from these artists, and ultimately an important album.

Finally, I’m listening to Aloe Blacc, an artist whom I don’t know, on his new album Good Things. I’ve just queued this up, but this right here is what I like. It reminds me immediately of a modern Bill Withers. That can’t be a bad thing.

There was something familiar about Raphael Saadiq to me. He’s been blowing up in my consciousness stage for one in the last few weeks (perhaps everywhere, but I have no pulse on those kinds of things). I knew I liked his sound, and it’s been a seriously long time since I’ve been excited about a new musical talent. Except, of course, that Saadiq is far from a new talent, considering that the source of familiarity is because he has been ringing my my head for over 10 years as Tony! Toni! TonĂ©, whose song “If I Had No Loot” still ranks among my all-time favorite jams from the 90s. He’s somewhere on the short and incredibly talented spectrum between Stevie Wonder and Al Green, reminiscent of both at times and certainly under their influence. But he manages to capture the quality of a male version of India.Aire — fresh, positive music with a truly distinctive vocal quality.

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